Showing posts with label Hammond B-3. Show all posts
Showing posts with label Hammond B-3. Show all posts

Saturday, July 12, 2008

Party with B-3 and Trumpet and Cake

When: Thursday, June 26, 2008 • Where: DakotaWho: Tony Monaco, Hammond B-3 organ; The Heatin' System: Andrew Beals, saxophone; John Hart, guitar; Rudy Petschauer, drums plus Sean Jones, trumpet; Wycliffe Gordon, trombone; Dave Stryker, guitar



After the DownBeat's Rising Stars show at Orchestra Hall,
we go to the Dakota for HH's birthday party. The mezzanine is mostly ours. Friends are there to greet us, a lovely chocolate cake from Wuollet Bakery awaits us (it says "Happy Birthday" to both HH and Rhonda Laurie, who shares his birthday), the splendid Joe Doermann is there to take care of us, Jon Weber has just finished his final set and comes upstairs to join us, and Tony Monaco is starting his late-night performance (a preview of the show he'll do for the Twin Cities Jazz Festival tomorrow night). It's a party.



Monaco was mentored by Jimmy Smith and Joey De Francesco; the Heatin' System was Jack McDuff's band. One of my jazz regrets is I never saw McDuff in person. He often played at the Artists' Quarter; he died in Minneapolis in 2001.

I'm not taking notes tonight so I can't report on the specifics of what Monaco played but it's hot. Burnin'. Fiery. All the things the writers say about this strange and complicated instrument when it's in the hands (and feet) of an expert. I hang over the rail to watch and listen.

The DownBeat's Rising Stars band comes to the Dakota and they all have cake. During a break between Monaco's sets, Sean Jones plays "Happy Birthday" to HH as a trumpet solo. (Thanks so much to Don Berryman for capturing this for us.) Then, during Monaco's second set, Jones, Wycliffe Gordon, and Dave Stryker all sit in with his band.



We close the Dakota and go to The King & I Thai restaurant for a nightcap. We arrive home very late—to quote Billy Strayhorn, "halfway to dawn."

Visit Monaco's Web site to hear "I'll Remember Jimmy."
Photos by John Whiting.

Thursday, October 25, 2007

Joey DeFrancesco


The Dakota, 10/22/07: A ticket to a Joey D show is one of the sure things in jazz. The music will be great, the vibe will be positive, and a good time will be had by all, including the musicians.

Ever since Jimmy Smith died in February 2005, Joey has been the acknowledged King of the Hammond B-3 Organ, but he still acts the same: amiable, relaxed, happy to be seated before a 400-pound monster of an instrument with two keyboards (and 122 keys), two octaves of foot pedals, multiple presets, stops, and special effects, and a separate cabinet called a Leslie with rotating speakers that give the B-3 its big, juicy vibrato. B-3s aren't made anymore; the last one was assembled in 1975 at Hammond's factory in Melrose Park, Illinois, a Chicago suburb where my grandparents lived. There are B-3 synthesizers but they're not the same. When I'm in a room with a Leslie, I feel a breeze.

Joey D's group was the classic B-3 trio: organ, guitar, drums. (Who came up with the idea of putting a guitar together with a B-3? It never seems like it will work, but it does.) Jake Langley is Joey's regular guitarist, and he was with him at the Dakota; Byron "Wookie" Landham must have had other obligations, so Carmen Intorre sat behind the drums, looking 12 years old. They played "Autumn Leaves," the theme from the 60s television show Naked City, and the Ray Charles classic "I Got a Woman." From where we sat, I could see Joey's feet do their mad dance on the foot pedals. After that, vocalist (and Joey's fiancee) Colleen McNabb sang "Don't Go to Strangers" while Joey played the trumpet and the B-3 at the same time. Then Colleen sang the Bill Evans tune "Waltz for Debby." Colleen studied with Patricia Barber and has absorbed some of her laid-back cool.

Joey announced that "The Sound of Music" would be their final tune, then gave us one more: "Nice 'n' Easy," made famous by Frank Sinatra. This time, Joey played and sang. He should sing more often. Maybe he could sing, blow the trumpet, and play the B-3 simultaneously? If anyone could, he's the guy.

Photo by John Whiting. Left to right, seen from the Dakota mezzanine: Joey, Colleen and Carmen, Jake. Joey's trumpet and mute are on the B-3.

A history of the Hammond B-3 Organ
The Hammond B-3 Organ on All Things Considered