Showing posts with label Javier Santiago. Show all posts
Showing posts with label Javier Santiago. Show all posts

Thursday, July 10, 2008

The John Raymond Project

When: Wednesday, June 25 • Where: DakotaWho: John Raymond, trumpet and flugelhorn; Javier Santiago, piano; Jeremy Boettcher, bass; Aaron Hedenstrom, alto sax; Kevin Washington, drums



Taylor Eigsti writes about his feelings;
John Raymond shares them with the audience during live performance. Introducing an original composition called “The Poor Blind Man,” Raymond explains that it’s not about a man who is physically blind and has no money, but about a man who can see and is wealthy but doesn’t see the right things, the right truths, or the right goals. It's foolish to think that wealth can make us happy, he says. It’s a bit didactic for an early-evening jazz show but the tune, a pensive ballad with Raymond on flugelhorn, backs it up and Raymond's words give you something to think about as you listen. I like it when musicians tell us something about their music, especially original works, though some people wish they would shut up and play.



I’m here after a meeting and stay for just the first set and part of the second, but it’s lively and enjoyable, a tight quintet playing solid straight-ahead jazz: Monk’s “Trinkle Trinkle,” Joe Henderson’s “Recordame,” Raymond’s original, a blues, a playful tune by Hedenstrom called “Think About It.” The Hedenstrom piece is especially interesting: slower measures followed by doubletime, slow, doubletime, slow, doubletime. I don’t think it has been recorded but I’d like to hear it again.

Hear “Poor Blind Man” and more on Raymond’s MySpace page.

Photos by John Whiting.

Friday, March 21, 2008

Javier Santiago/Chris Smith Quartet



When: 3/14/08
Where: Artists' Quarter
Who: Ben Flocks (saxophones), Javier Santiago (piano), Chris Smith (bass), Cory Cox (drums)

Flocks and Santiago are 18, Smith is 19, Cox is 20. All attend the Brubeck Institute in Stockton, California, as Brubeck Fellows; currently there are five Fellows and we're looking at four. Santiago and Smith attended South High School here.

Davis Wilson introduces the group to the crowd (which starts out sparse but fills up fast) by exclaiming "Welcome to the future!"



There's a Who rockumentary called The Kids Are Alright and that phrase goes through my head as I see and hear these teenagers (and one just barely out of his teens) play solid, straight-ahead standards and original compositions: Wayne Shorter's "Yes or No," "Body and Soul," Smith's "Left Behind," an untitled piece by Cox, Santiago's "The Grip," Billy Strayhorn's "Isfahan," Horace Silver's "Nutville," Shorter's "JuJu," Santiago's "Gravity."



We stay for both sets. I forget they're kids. Next month they play Yoshi's. More than alright.



Photos by John Whiting.